The literary and art bohemia sharply opposing to weight, singularity and sharpness of experiences. The magic, spiritism and theosophy for works of art. The statement on a boundary of centuries. The role in the "Silver age" of Russian symbolists.
And already in the end of XIX century Oscar Auld asserted, that «more likely the life imitates art, rather than life art». The silver age in Russian culture is not only painting and architecture of a modernist style, not only the symbolist theatre which has embodied idea of synthesis of arts when over performance statement together with directors and actors artists and composers worked, it and the symbolism literature, and especially poetry which has entered into history of the world literature under the name «Silver age poetry». The aesthetics of the Silver age of Russian culture in aggregate has summed most different, often opposite directions, movements, bright author"s finds up to many searches of classical aesthetic thought, especially in revealing of metaphysical essence aesthetic and artistry of art. Along with it, many thinkers, writers, artists, theorists of art of that time in atmosphere of crisis of Culture well felt with them and arts more or have less unanimously come to conclusion about necessity of essential expansion of sphere of aesthetic experience for the frameworks limiting it in a classical aesthetics. Have realized, that art in it новоевропейском understanding independent «graceful art» finishes the life, and the artist should leave for its limits during a real life and there actively work under aesthetic laws over its transformation.
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