General View of Romanticism. Life, works and Heritage of the Romantic Poets. Stylistic analysis of Lord Byron’s works Destruction of Sennacherib, Prometheus, Darkness, of Shelly’s works Adonais, of Wordsworth’s work A Fact and Imagination.
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The writers tried to solve the problems, but we cant treat all the Romantics of England as belonging to the same literary school. William Blake (1757-1827) was bitterly disappointed by the downfall of the French Revolution. His young contemporaries, Samuel Coleridge (1772- 1834) and William Wordsworth (1770-1850), both were warm admirers of the French Revolution, both escaped from the evils of big cities and settled in the quietness of country life, in the purity of nature, among unsophisticated country-folk. Living in the Lake country of Northern England, they were known as the Lakists. The Late Romantics, George Byron (1788-1824), Percy Shelley (1792-1822), and John Keats (1795-1821), were young rebels and reflected the interests of the common people. That is why the Romantic Revival of the 18th-19th centuries can be divided into three periods: the Early Romantics, the Lakists and the Later Romantics. In some poets this spirit of revolt and defiance resulted in a sort of titanism in an overstatement of passions. In others it led to the exaltation of the irrational and mystic aspects of life and a concern with the supernatural. Some looked for solace in an idealized Hellenism inspired by a Greek ideal of beauty and by the concept of poetry for poetry’s sake. Others romantic English poets found the escape from reality in the exotic and distant following the lead of the Gothic novels. This love for the strange, the exotic and the distant also informed the new interest in history and especially in the Middle Age
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