Specificity of the dramatic conflict in Shakespeare"s tragedy "Othello". Ratio of the racial conflict that determines the events of the first act, with the decisive conflict of the whole work. The role of some characters in creating artistic unity.
From Venice to Cyprus: bifocal structure of «Othello» Сomparing Othello with other Shakespeares great tragedies, a number of scholars underlined - in different terms - its unique structure. A.C. Bradley distinguished «Othello» from other great tragedies as «2the least symbolic» and «the most masterly in construction» [1, p. 185]. One of the leading figures in British «new criticism» F.R. Leavis in his essay «Diabolic Intellect and the Noble Hero» called this play «the simplest one» of all Shakespeares great tragedies [2, p. 136-159]. J.C. Maxwell considered «Othello» to be a «well-made play» [3, p. 202]. Leonid Pinsky wrote about «Othellos» «exclusiveness» [4, p 158]; Alexander Anikst considered this play to be «the most perfect of all Shakespeares tragedies in construc - tion» [5, p 448], and so on. That uniqueness can be noted even in the spatial and temporal construction of the Venetian tragedy. Its chronotope is marked by the least conventionality and the greatest historic and geographic concreteness in c
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