Production of church buildings in Central Europe during the late middle ages. The Benedictine abbey church are the best of 15th-century Germany"s church buildings. Prague Cathedral is stylistic allegiance of Luxemburg dynasty of Bohemian kings.
The enormous production of church buildings in Central Europe during the late Middle Ages was fuelled chiefly by the competitive civic pride of the region"s burgeoning towns, and as a result the main focus of creative effort was the urban parish church rather than the cathedral or monastic church. It seems legitimate to associate the matter-of-fact directness of the normative type, the hall church, with the practical tenor of town life, although increasingly often during the 14th century the hall format was adopted by majoi ecclesiastical corporations whose counterparts elsewliere in Northern Europe would automatically have built great churches. In 1341, when Charles was already co-regent, a tenth of the very large royal revenues from the Bohemian silver mines was granted to the chapter specifically to meet the costs of building; in 1344 Charles personally negofiated with the pope the caiving out of an archdiocese of Prague from that of Mainz; in 1355 he acquired relies of the cathedral"s patron, St Vitus; and by 1358 he had remade the shrine for the relics of St Wenceslas - like Edward the Confessor, a canonized representative of the previous indigenous dynasty There can be little doubt that the main inspiration for these pendant vaults was the larger octagonal vaults which, until their failure and replacement in the mid-16th century, covered the two-bay chapel of St Catherine on the south side of Strashourg Cathedral (begun c. If this were the only correspondence between German and English vault design of the late 13th and early 14th centuries it could be dismissed as coincidence, but in fact there are many German vaults besides those of the Prague sacristy which can readily be understood as variaitions on earlier English designs.It seems legitimate to associate the matter-of-fact directness of the normative type, the hall church, with the practical tenor of town life, although increasingly often during the 14th century the hall format was adopted by majoi ecclesiastical corporations whose counterparts elsewliere in Northern Europe would automatically have built great churches. Such enormous production of church buildings in Central Europe during the late Middle Ages was fuelled chiefly by the competitive civic pride of the region"s burgeoning towns, and as a result the main focus of creative effort was the urban parish church rather than the cathedral or monastic church. The one l4th-century church in Central Europe which adopted the French great church system more or less complete is Prague Cathedral.
План
Contents
Introduction
Central Europe, the late Gothic
Conclusion
Literature
Introduction
Вывод
It seems legitimate to associate the matter-of-fact directness of the normative type, the hall church, with the practical tenor of town life, although increasingly often during the 14th century the hall format was adopted by majoi ecclesiastical corporations whose counterparts elsewliere in Northern Europe would automatically have built great churches.
Such enormous production of church buildings in Central Europe during the late Middle Ages was fuelled chiefly by the competitive civic pride of the region"s burgeoning towns, and as a result the main focus of creative effort was the urban parish church rather than the cathedral or monastic church.
The one l4th-century church in Central Europe which adopted the French great church system more or less complete is Prague Cathedral. This stylistic allegiance can be ascribed without hesitation to the patrons, the Luxemburg dynasty of Bohemian kings, allies of the French royal house in family, politics and culture.
The earliest German rib vaults without webs are those in the west tower at Freiburg Minster and the "Tonsur" chapel in the cloister at Magdeburg Cathedral, both of c. 1310-30.
The best of 15th-century Germany"s great church buildings are the nave of the Benedictine abbey church of SS. Ulrich and Afra in Augsburg, rebuilt 1494-1500 following a tire, and the continuation of the Freiburg choir from 1471 by Hans Niesenberger.
Literature
1. Cristopher Wilson. The Gothic Cathedral.
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