Culture is one of the most important components, which form every nation. It is one occurrence that distinguishes and unites all the people who live in the world. But it is impossible to imagine the culture without music, a very big part of our life.
Аннотация к работе
Culture is one of the most important components, which form every nation. It is one occurrence that distinguishes and unites all the people who live in the world. But it is impossible to imagine the culture without music, a very big part of our life. Every nation has one’s own music and I think that inside music are concluded all peculiarities of the nation, it is contain the key for understand the soul of people. When I was associated with foreigners (they were Americans) I noted that they liked our folk music, they frequently listened it and each of them had without fail an audiocassette with Russian folk music. They told me about the most popular in United States Russian singers and composers. Our pop music is not famous outside Russia. But many people from other countries love our folk and classical music. On the contrary we know nothing about American folk and classical music and I would like to discuss about it. By my opinion a serious study of American music is arrestingly important at this time. Music has become on of American leading industries American performing standards are probably now higher than anywhere else in the world, and Americans are making rapid strides in music education. How large a part in all this activity is American music to play? How good is it? How does it differ from Russian music? There are many signs of an awakened interest in American composition. More of it is performed, published, and recorded than ever before. This interest is not confined to the United States alone. During the past few years Russians who have always liked American popular music (like Brithney Spears, Madonna, Michael Jackson) have discovered that America have several composers in the serious field well worth its attention. As for the foundations, fortunes are being spent to discover, to train and to encourage American native talent. We could imagine a pattern, which would include Billings, Harris and Gershwin. Each of them contributed substantially to American musical tradition, and when American can grasp their interrelationship they perceive that there is indeed an American music, a hardy one just beginning to fell its strength and destined to stand beside their other contributions to world culture. I would like to tell about my three favorites American composers. George Gershwin was born in Brooklyn on September 25, 1989. He was by no means a prodigy, and his musical education was spasmodic. He took lessons at the piano and later studied harmony. In his teens, he acquired a job as song plugger at one of the largest publishing houses. Before long he was writing songs of his own; and in 1919, he was the proud present of a “hit” that swept the country - Swanee. His rise as one of the most successful composers for the Broadway stage was rapid. In 1924, he composed his first serious work in the jazz idiom, the historic “Rhapsody in Blue” the success of which made Gershwin famous throughout the world of music. After that he divided his activities between writing popular music for the Broadway stage (and later for the Hollywood cinema) and serious works for concert hall consumption.